1. |
.
00:15
|
|
||
2. |
.-
00:15
|
|
||
3. |
.-.
00:15
|
|
||
4. |
..
01:15
|
|
||
5. |
-
00:45
|
|
||
6. |
.-.-
00:15
|
|
||
7. |
.-.-.
00:15
|
|
||
8. |
.-.-.-
00:15
|
|
||
9. |
-
01:15
|
|
||
10. |
-.
00:45
|
|
||
11. |
.-.-.-.
00:15
|
|
||
12. |
.-.-.-.-
00:15
|
|
||
13. |
--..
01:15
|
|
||
14. |
-.-
00:45
|
|
||
15. |
-.-.
00:45
|
|
||
16. |
.-.-.-.-.
00:15
|
|
||
17. |
-.-.-
00:45
|
|
||
18. |
..--
01:15
|
|
||
19. |
-.-.-.
00:45
|
|
||
20. |
....
01:15
|
|
||
21. |
-.-.-.-
00:45
|
|
||
22. |
.-.-.-.-.-
00:15
|
|
||
23. |
-.-.-.-.
00:45
|
|
||
24. |
.-.-.-.-.-.
00:15
|
|
||
25. |
.-.-.-.-.-.-
00:15
|
|
||
26. |
----
01:15
|
|
||
27. |
.-.-.-.-.-.-.
00:15
|
|
||
28. |
.-.-.-.-.-.-.-
00:15
|
|
||
29. |
..--..
01:15
|
|
||
30. |
-.-.-.-.-
00:45
|
|
||
31. |
.-.-.-.-.-.-.-.
00:15
|
|
||
32. |
--..--
01:15
|
|
||
33. |
.-.-.-.-.-.-.-.-
00:15
|
|
||
34. |
-.-.-.-.-.
00:45
|
|
||
35. |
--....
01:15
|
|
||
36. |
.-.-.-.-.-.-.-.-.
00:15
|
|
||
37. |
-.-.-.-.-.-
00:45
|
|
||
38. |
.-.-.-.-.-.-.-.-.-
00:15
|
|
||
39. |
----..
01:15
|
|
||
40. |
.-.-.-.-.-.-.-.-.-.
00:15
|
|
||
41. |
------
01:15
|
|
||
42. |
.-.-.-.-.-.-.-.-.-.-
00:15
|
|
||
43. |
-.-.-.-.-.-.
00:45
|
|
||
44. |
..----
01:15
|
|
||
45. |
.-.-.-.-.-.-.-.-.-.-.
00:15
|
|
||
46. |
-.-.-.-.-.-.-
00:45
|
|
||
47. |
.-.-.-.-.-.-.-.-.-.-.-
00:15
|
|
||
48. |
.-.-.-.-.-.-.-.-.-.-.-.
00:15
|
|
||
49. |
....--
01:15
|
|
||
50. |
-.-.-.-.-.-.-.
00:45
|
|
||
51. |
.-.-.-.-.-.-.-.-.-.-.-.-
00:15
|
|
||
52. |
|
|||
53. |
......
01:15
|
|
||
54. |
|
|||
55. |
-.-.-.-.-.-.-.-
00:45
|
|
||
56. |
..--..--
01:15
|
|
||
57. |
|
|||
58. |
-.-.-.-.-.-.-.-.
00:45
|
|
||
59. |
|
|||
60. |
--..--..
01:15
|
|
||
61. |
-.-.-.-.-.-.-.-.-
00:45
|
|
||
62. |
|
|||
63. |
-.-.-.-.-.-.-.-.-.-
00:45
|
|
||
64. |
--------
01:15
|
|
||
65. |
-.-.-.-.-.-.-.-.-.-.
00:45
|
|
||
66. |
|
|||
67. |
------..
01:15
|
|
||
68. |
|
|||
69. |
|
|||
70. |
----....
01:15
|
|
||
71. |
-.-.-.-.-.-.-.-.-.-.-
00:45
|
|
||
72. |
-.-.-.-.-.-.-.-.-.-.-.
00:45
|
|
||
73. |
|
|||
74. |
--......
01:15
|
|
||
75. |
|
|||
76. |
|
|||
77. |
|
|||
78. |
|
|||
79. |
........
01:15
|
|
||
80. |
-.-.-.-.-.-.-.-.-.-.-.-
00:45
|
|
|sbdQtç| Genève, Switzerland
|sbdQtç| (from Latin subductus) is a project dedicated to improv/experimental music on a large scale, drifting from loud noise and deep psychedelic rock to more minimal electroacoustic soundscapes, as a result of few open rule based compositions combined with free improvised material. ... more
If you like ... -... -.. --.- - -.-.. | .. -. .- .-. . .- .-.. -.. .- .-. -.- -. .. --. .... -, you may also like:
This international experimental collective carefully architects their haunting sound, generating immediate emotional impact.
go to album
Dazzling vibraphone compositions that set gentle tones against empty air to create constellations of sound.
go to album
The new album from electroacoustic composer Jeremy Young is draped in a sense of mystery, tones flickering gently, like an old home movie.
go to album
42 Days 四十二天
by Southeast of Rain 东南有雨
This stunning, beautiful project from Fujian duo Southeast of Rain 东南有雨 blends field recordings with rippling notes from the pipa.
go to album
A wild free improvisational ride that melds free jazz, black metal, noise rock, and lounge into one vision.
go to album
Soundtrack Pour Une Révolution De Pierre Clémenti
by AKT¡!
featured on Bandcamp Radio Mar 11, 2014
go to album
Boulder blues
by staraya derevnya
Marvelous experimental music from this Tel Aviv musician that fuses outré noise with almost folk-like arrangements.
go to album
